掌握英语写作技巧是每个高年级孩子都需要具备的技能。有时候，一些好的英语作文可以给我们写英语作文时很多有用的灵感，作文，可以描写身边的细微事物，也可以大胆想象。一篇好作文起码要做好和读者共情，有没有比较好的英语作文给我们参考呢？小编为此仔细地整理了以下内容《【作文收藏】 大学英语文章其三》，希望收集的这些能对大家有所帮助。
With the prosperity of economy in modern society,主题 has become a problem we have to face.The problem reflected is not rare nowadays,as we always read news that新闻出处 .Reasons why this kind of现象occurs from time to time are various.One of possible causes is原因 .It is also owing to the fact that .
In any causes,however, 这种事情可能会出现的原因could never be excuse for 这种事情 .Hence citizens/the public should采取什么样的措施 to prevent这种事情的发生 from occurring.Additionally,efforts of individuals/one/the public should be supplemented by方法 ,for example,举例说明（可有可无） ,which would be of great significance to .
精选阅读
【作文收藏】 大学英语文章范文网页版
在平时学习中写英语作文是一件非常常见的事情，因为信息的快速发展其实我们可以看到更多的优质英语作文，我们在写作文时，可以静下来认真思考事物。一篇好作文起码要做好和读者共情，哪些英语作文值得我们去学习和借鉴呢？下面是小编精心收集整理，为您带来的《【作文收藏】 大学英语文章范文网页版》，欢迎阅读，希望这些可以帮助到大家！
Direction:
A foreign delegation is to visit your university . You are assigned to make a welcome speech on behalf of your class.Now write A welcome speech to express your welcome, and make a brief introduction to your university .
题材与体裁链接：
这篇文章属于应用文体裁，写一篇欢迎词，现在四级考试考查应用文的情况越来越多，比如说以前考过导游词，建议书，演讲稿等等，这是命题的一个趋势.对于应用文的体裁，我们在今后的四级考试中也应该多多注意.但是要注意一点，四级考试的题材基本都是与校园有关的，与学校生活有关的话题，大家可以在空闲的时候，多总结一下这方面的表达，如宿舍场景，学习场景，校园活动，餐厅场景等等.
英语四级作文参考范文：
It gives me great pleasure to welcome you to our university. Thank you very much for visiting our university in spite of your busy schedules.
Huatsing University, under the direct leadership of the China State Ministry of Education, boasts a tradition of academic excellence. Founded in 1943, Huatsing University has grown to a comprehensive university combining science, engineering, law and liberal arts. HU has an enrollment of 9527 degree candidates and 20xx members at faculty. HU, with the outstanding scholarly achievement, eclipses any other universities and colleges in China. HU students display their talents in a wide array of extracurricular activities and win a range of national awards. That's all. Thank you.
[优质作文] 大学英语文章
英语作文相信大家都写过吧，我们经常在各大信息渠道都能看好优秀的英语作文，作文，可以表达自己内心看待某事物的想法和感情。一篇好作文是很会拉近作者和读者的距离，那么在英语作文的写作中应该注意哪些问题呢？因此，下面小编为大家整理的“[优质作文] 大学英语文章”，敬请阅读，希望对您有所帮助。
大学英语作文是衡量学生英语综合水平和应用能力的一个重要指标，也是大学四级考试的一个重要内容。在整个四级卷面（满分为100分）中占15分，考生在这一部分的得分直接决定其四级成绩。近年来国家教委又明确规定，四级考试中，如果学生作文得零分，那么即使前面得了满分（即85分），其总成绩仍将视为不及格。因此写好一篇文章对参加四级考试的学生来说可谓至关重要，不容轻视。
作文不理想的原因很多，总的看来主要有以下几个方面的问题：
第一、英语底子太薄。底子太薄主要表现为对语法知识掌握不牢及对基本词汇记忆不清。它包括定冠词和不定冠词的滥用，主谓不一致，单复数搞不清楚（例如：a people等），时态和语态混乱及词语的各种形式掌握不牢。有的学生文章写得很长，字迹也很工整，但是读完之后只觉得思路紊乱，支离破碎，没有一个完整的句子，所以也就只能得两三分以慰劳苦。
第二、词汇量太小，且对已学词汇记忆不清。除了底子太薄这个历史原因之外，学生词汇量太小也是一个不容忽视的原因。有的学生汉语功底很好，用汉语作文，他们就会思如泉涌，下笔千言，但是一到用英语作文就好像被缚住了手脚，不知如何下手。比如99年1月的作文，题目是＂Don’t Hesitate to Say No＂, 大部分学生能够领会题意并能按给出的汉语提纲作文，但有的学生连Hesitate是什么意思都不知道，更不用说在此基础上再作发挥了。另外有的学生虽然对题目及要求非常清楚，但是因为自己所掌握的词汇所限，无法用一些合适的词来表达自己的思想，于是只有绕着题目翻来覆去乱说一气，再加上这次出的作文提纲就象一道绕口令：
1、 别人请求帮助时，在什么情况下我们会说“不”；
2、 为什么有些人在该说“不”的时候不说“不”；
3、 该说“不”时不说“不”的坏处。
所以在说过一个又一个的＂No＂再加几个＂Yes＂之后，阅卷老师也给搞得云里雾里，头脑发胀，最后也只得酌情给个两三分罢了。还有的一写到纸上就是错字别字满篇，有些词汇的用法也走了样。其中最典型的就是for example写成example for , for instance写成for a instance, illegal 写成unlegle, 而such as, in spite of 等许多短语则是乱用一气。词汇的有限导致许多学生有口难言，欲说不能，对他们来说，用英语作文实在是一件很头疼的事情。
第三、缺乏思想，深度不够。99年1月的考试中很大一部分学生不能得高分还有一个重要的原因，就是他们的作文缺乏思想，深度不够。很多学生虽然已是大二的学生，甚至是大三大四的学生，但是他们在作文当中所表现出的智力水平与阅历似乎只相当于一个初高中生。写出的文章着眼点低，视野狭窄。作为学生，作文着眼于学生之间的'关系，反映学生之间的帮忙，这并不为过，但是这种帮忙不能仅仅限于在考试当中的帮忙，而且对这种帮忙都是一句话 ＂Don’t hesitate to say ’No’＂。更有相当一部分学生在文章中写帮忙就是这一次四级考试当中的帮忙。与在校考生比较起来，社会考生应该多了许多社会阅历，也多了一些见解，但是举出来的例子也是范围太窄，大多是讲老板或领导让干的事只能答 ＂Yes＂而不能回答 ＂No＂。其实除了这些，可举的例子很多，关键是要抓住实质。
第四、缺乏应试技巧。缺乏应试技巧，主要表现为有些学生在篇首或篇尾有喊口号倾向（如Dear Friends, let’s not hesitate to say＂No＂）,或画蛇添足,本来文章该结束
了却偏要罗罗嗦嗦再来两句多余的话；另外一些学生字数把握不准，不是写得太短就是写得太长，写得太短的会因为字数不够而失分，太长的又因为阅卷老师任务繁重，时间窘迫，不能因为一篇文章乱了整个阅卷节奏。还有一些学生的笔迹（尤其是用纯蓝墨水钢笔和出水太浅的圆珠笔写的），让阅卷老师怎么也看不清楚。
以上是四级英语考试中常见的几个问题，更是我们平时英语作文当中应该注意的几个方面。要写好一篇英语文章，关键要在平时下功夫，打好牢固的基础，但是如果这一功夫在使用的时候不讲技巧，不但不能事半功倍地发挥出最高技巧，取得最佳成绩，甚至可能出现与实际水平相去甚远的低成绩。因此，上面讲到的四个问题应该是相辅相成，缺一不可的，做到了这几点，写出一篇好的大学英语四级作文应该是不难的。
热门作文: 大学英语文章精选
掌握英语写作技巧是每个高年级孩子都需要具备的技能。我们经常会在一些英语作文书中阅读到优秀的英语作文，作文，可以描写身边的细微事物，也可以大胆想象。一篇好作文起码要做好和读者共情，英语作文怎么写才能让人眼前一亮呢？供您所需，小编帮大家编辑的《热门作文: 大学英语文章精选》，欢迎大家收藏与参考，希望对您有所帮助。
Directions: For this part, you are allowed 30 minutes to write a composition on the topic Is Face to Face Communication Better than Other Types of Communication? You should write at least 120 words, and base your composition on the outline below:
1)如今人们之间的交流方式越来越多，你个人认为面对面交流是否优于这些交流方式
2)论证你的观点
【思路点拨】
本题属于提纲式文字命题。提纲第1点要 求阐述一种观点，提纲第2点要求论证这个观点，由此可判断本文应为观点论证型作文。
根据所给提纲，本文应包含以下内容：关于面对面交流是否优于如写信和打电话等其他交流方式给出你的 观点;通过举例论证此观点;重申观点，总结全文。 Is Face to Face Communication Better than Other Types of Communication?
Nowadays, with the development of technology, many modern forms of communication, such as phone calls and email, have stepped into our life. Facing with these, the traditional way of communication face-to-face communication, seems to be left behind the times. But in fact, this is not actually true. For me, noting can parallel with face-to-face communication. The following reasons can account for my opinion.
For one thing, face-to-face communication allows us to make an interactive conversation. For example, we can clear away the misunderstanding in time. Because a persons tone of voice or facial expression often reflects his mood, while in other kinds of communication its hard for us to perceive the subtle changes of ones emotion. For another, face-to-face communication can deepen the interpersonal relationship. For instance, trust and respect between businesses partners can be established even with a firm handshake.
[参考作文] 我的大学英语文章
相信身为学生，对于英语作文是非常熟悉的吧，多看一些优质英语作文可以为我们的写作打下良好基础，在写作文时，要体现和表达自己的想法。所以说，写作文是需要一朝一夕慢慢累积的。有没有哪些优秀英语作文可以拿来作参考？小编已经为大家整理好了“[参考作文] 我的大学英语文章”，敬请阅读，希望能给大家提供一些帮助！
My College---My New Life
New life begins! I've been expecting this moment for a long time.Finally,I become a college student .
All good things must come to an end ! I am now apart from my family members and many good friends.I am awared that I will have to do everything on my own .
Being responsible is the exact thing that I am supposed to think about! I'm now dealing something responsibly with my new rommates.I enjoy being together with them,they just like my good friends in high school,being kind and thoughtful !
My college is a place for a new beginning ,I'm sure I'm taking a new life ,everything here is full of challenge,quite different from things in high school,teachers are not going to tell you exactly what you are going to do ,you will have to make your own decisions.
So far,I'm geting along so well with people aroud me ,college provides me with chances and challenge,I'm going to make a difference to my life!And I have every confidence on myself.I will still have to move on......
月度作文精选 大学英语文章
相信身为学生，对于英语作文是非常熟悉的吧，随着网络的发达，优秀英语作文随处可见，作文的内容，来源于我们对生活的观察。为了写好作文我们不妨多看看别人的佳作，那么你知道一篇英语作文应该怎么写吗？对此，小编为大家收集整理的“月度作文精选 大学英语文章”，欢迎您阅读和收藏，并分享给身边的朋友！
The world is enveloped in moonlight. A poetic feeling arises and softness pervades the atmosphere. At this time, a breeze of ten accompanies the silvery light of the moon and gives the world a peculiar appearance and the people a peculiar feeling. The air is suffused with a sweet scent, driving away the ugliness and squal or of the daytime, soothing the distressed and wretched souls. If
you sing a song, your voice will reach the clouds. If you read a poem, it will echo in the mountains and valleys far away. If you hum a lullaby, its rhythm will send the whole sleepless city to dreams.
[写作分享] 大学英语文章精选
写好英语作文是初高中学生都应该掌握的技能。因为信息的快速发展其实我们可以看到更多的优质英语作文，作文，可以发挥学生的想象力，丰富情感。一篇好作文是很会拉近作者和读者的距离，一篇优秀的英语作文是怎么样的呢？下面是小编用心收集整理，为您带来的《[写作分享] 大学英语文章精选》，仅供您在工作和学习中参考。
From the various houses we can see candlelight but no electricity. There's a quiet that blankets the whole area, disturbed only by the almost whispered of the people as they stand around. CHARLIE stares across at GOODMAN's house.
Sally (a little timid): It doesn't seem right, though, keeping watch on them. Why, he was right when he said he was one of our neighbors. Why, I've known Ethel Goodman ever since they moved in. We've been good friends—
Charlie: That doesn't prove a thing. Any guy who'd spend his time looking up at the sky early in the morning—well, there's something wrong with that person. Maybe under normal circumstances we could let it go by, but these aren't normal circumstances.
(STEVE, from several yards away, walks down the steps of his porch, and down the street over to LES GOODMAN's house. He stops at the foot of the steps. GOODMAN stands there. MRS. GOODMAN stands behind him, very frightened.)
Goodman: Just stay right where you are, Steve. We don't want any trouble, but this time if anybody sets foot on my porch—that's what they're going to get—trouble!
Steve: Look, Les—
Goodman: I've already explained to you people. I don't sleep very well at night sometimes. I get up and I take a walk and I look up at the sky. I look at the stars! Mrs.
Goodman: That's exactly what he does. Why, this whole thing, it's... it's madness.
Steve (nods): That's exactly what it is—some kind of madness.
Charlie's voice (shrill, from across the street): You'd better watch who you're seen with, Steve! Until we get this all straightened out, you aren't exactly above suspicion yourself.
Steve (whirling around toward him): Or you, Charlie. Or any of us. From age eight and up!
Woman: What I'd like to know is—what are we going to do? Just stand around here all night?
Charlie: There's nothin' else we can do!
Steve (raising his voice): There's something you can do, Charlie. You could go
home and keep your mouth shut. You could quit walking around like a self-appointed hanging judge and just climb into bed and forget it.
Charlie: You sound real anxious to have that happen, Steve. I think we'd better keep our eye on you, too!
Don: I think everything might as well come out now. (He turns toward STEVE.)
Your wife's done plenty of talking, Steve, about how odd you are!
Charlie (picking this up, his eyes widening): Go ahead, tell us what she's said.
(STEVE walks toward them from across the street.)
Steve: Go ahead, what's my wife said? Let's get it all out. Let's pick out every unusual habit of every single man, woman, and child on the street. And then we might as well set up some kind of a kangaroo court. How about a firing squad at dawn, Charlie, so we can get rid of all the suspects?
Don: There's no need getting so upset, Steve. It's just that... well... Myra's talked about how there's been plenty of nights you spent hours down in your basement workin' on some kind of radio.
(By this time STEVE has reached the group. He stands there defiantly close to them.)
Charlie: Go ahead, Steve. What kind of "radio set" are you workin'on? Who do you talk to on the radio set? And who talks to you?
Steve: I'm surprised at you, Charlie. How come you're so dense all of a sudden? (a pause) Who do I talk to? I talk to monsters from outer space. I talk to three—headed green men who fly over here in what look like meteors.
(MRS. BRAND steps down from the porch, bites her lip, calls out.)
Mrs. Brand: Steve! Steve, please. (Then looking around frightened, she walks to ward the group.) It's just a ham radio set. A lot of people have them. I can show it to you. It's right down in the basement.
Steve (whirls around toward her): Show them nothing! If they want to look inside our house—let them get a search warrant.
Charlie: Look, man, you can't afford to—
Steve (interrupting): Don't start telling me who's dangerous and who isn't, and who's safe and who's a menace. (He turns to the group and shouts.) And you're with him, too—all of you! You're standing here all set to find a scapegoat—all desperate to point a finger at a neighbor! Well now, look, friends, the only thing that's going to happen is that we'll eat each other up alive—
(He stops abruptly as CHARLIE suddenly grabs his arm.)
Charlie (in a hushed voice): That's not the only thing that can happen to us. (A figure suddenly materializes in the darkness. In the silence we can hear the slow, measured footsteps on concrete as the figure walks slowly toward them. One of the women lets out a stifled cry.)
Tommy (shouting, frightened): It's the monster! It's the monster!
(The people fall back in a group, staring toward the darkness and the approaching figure. DON MARTIN joins them, carrying a shotgun. He holds it up.)
Don: We may need this.
Steve: A shotgun? (He pulls it out of DON 's hand.) Will you people wise up? What good would a shotgun do against—
(CHARLIE pulls the gun from STEVE's hand.)
Charlie: No more talk, Steve. You're going to talk us into a grave! You'd let whatever's out there walk right over us, wouldn't you? Well, some of us won't!
(He swings the gun around to point it toward the sidewalk. The dark figure continues to walk toward them. CHARLIE slowly raises the gun. As the figure gets closer, he pulls the trigger. The sound explodes in the stillness. The figure lets out a small cry, falls forward first onto his knees, and then on his face. DON, CHARLIE, and STEVE run over to him. STEVE is there first and turns the man over. The crowd gathers around them.)
Steve (slowly looks up): It's Pete Van Horn.
Don (in a hushed voice): Pete Van Horn! He was just going to go over to the next block to see if the power was on.
Woman: You killed him, Charlie. You shot him dead!
Charlie (looks around at the circle of faces, his eyes frightened): But. . . but I didn't know who he was. I certainly didn't know who he was. He comes walkin' out of the darkness—how am I supposed to know who he was? (He grabs STEVE.) Steve—you know why I shot! How was I supposed to know he wasn't a monster or something?
(He grabs DON.) We're all scared of the same thing. I was just tryin'to. . . tryin'to protect my home, that's all! (He looks down wildly at the body.) I didn't know it was somebody we knew! I didn't know...
(There 's a sudden hush in the group. Across the street all the lights go on in one of the houses.)
Woman (in a very hushed voice): Charlie... Charlie... the lights just went on in your house. Why did the lights go on?
Don: What about it, Charlie? How come you're the only one with lights now?
Goodman: That's what I'd like to know.
(There's a pause as they all stare toward CHARLIE.)
Goodman: You were so quick to kill, Charlie, and you were so quick to tell us who we had to be careful of. Well, maybe you had to kill. Maybe Pete there was trying to tell us something, to tell us who there was amongst us we should watch out for—
(CHARLIE backs away from the group, his eyes wide with fright.)
Charlie: No... no...it's nothing of the sort! I don't know why the lights are on. I swear I don't. Somebody's making a joke or something.
(He bumps against STEVE, who grabs him and furns him around.)
Steve: A joke? Charlie, there's a dead man on the sidewalk, and you killed him!
Does this thing look like a gag to you?
(CHARLIE breaks away and screams as he runs toward his house.)
(A man breaks away from the crowd to run after CHARLIE. The man tackles him and lands on top of him. The other people start to run toward them. CHARLIE gets up on his feet, breaks away from the other man's grasp and jumps up on his front porch. A rock thrown from the group smashes a window alongside of him. The broken glass flies past him. A couple of pieces cut him. He stands there, blood running down from a cut on his cheek. His wife breaks away from the group and throws herself into his arms. We can see the crowd moving in on the porch.)
First Voice: It must have been him.
Second Voice: He's the one.
Third Voice: We've got to get Charlie.
(Another rock lands on the porch. CHARLIE pushes his wife behind him and faces the group.)
Charlie: Look, look, I swear to you... it isn't me... but I do know who it is. I swear to you. I know who the monster is here.
Don: All right, Charlie, let's hear it!
Second Man (screaming): Go ahead, Charlie; tell us.
Charlie: It's...it's the kid. It's Tommy.
Sally: That's crazy. He's only a boy.
Woman: But he knew! He was the only one who knew! He told us all about it. Well, how could he have known?
(People in the crowd take this up and repeat the question aloud.)
First Voice: How could he know?
Second Voice: Who told him?
Third Voice: Make the kid answer.
(Sally grabs TOMMY and starts to run with him. The crowd starts to follow, at first walking fast, and then running after them. Suddenly CHARLIE's lights go off, and the lights in another house go on.)
Man (shouting): It isn't the kid...it's Bob Weaver's house.
Woman: No, it's Don Martin's place.
Charlie: I tell you it's the kid.
Don: It's Charlie. He's the one.
(Various people shout, accuse each other, scream. House lights go on and off.)
Scene Two
In a nearby field sits a space craft in darkness. An open door throws out a beam of light from the inside. Two figures appear.
First Figure: Understand the procedure now? Just stop a few of their machines and radios and telephones and lawn mowers... throw them into darkness for a few hours, and then just sit back and watch the effect.
Second Figure: And this effect is always the same?
First Figure: With little difference. They pick the most dangerous enemy they can find. . .and it's themselves.
Second Figure: Then I take it this place...this Maple Street...is not an exception.
First Figure: By no means. Their world is full of Maple Streets. And we 'll go from one to the other and let them destroy themselves. One to the other...one to the other...one to the other...
各家各户都亮起了蜡烛，没有电。寂静笼罩了整个社区，只能听到人们站在那里小声说话的声音。夏利的目光越过街道，盯着古德曼的房屋。
萨莉（有点儿害怕）：看起来不对劲儿，盯紧他们。为什么，他说他是我们的邻居，这是对的？为什么，从他们搬来我就了解埃塞尔.古德曼的，我们一直是好朋友...
夏利：这说明不了什么。这个总是大清早盯着天空看的家伙...他有点儿问题。或许一般情况下我们会忽略这一点，但是现在不正常。
（史蒂夫从几码之外走下门廊的台阶，沿街走到勒思.古德曼的房前，他在台阶前停下来。古德曼站在那里，古德曼夫人害怕地站在他身后。）
古德曼：就站在那里别动，史蒂夫。我们不想有什么麻烦，但是这次如果有人踏上我家门廊...他就会有麻烦的！
史蒂夫：听着，勒思...
古德曼：我已经跟你们解释了，有时候晚上睡不好，我会起来散步，看看天空，我看的是星星！夫人。
史蒂夫（点头）：确实是...有点疯狂。
夏利的声音（尖叫，从街对面传过来）：你最好清楚大家是怎么看待你的，史蒂夫！在所有的'事情澄清之前，你根本不是无可怀疑的！
史蒂夫（转向他）：或者是你，或者我们中的哪个，八岁以上的哪个人！
妇女：我想知道的是--我们在这里做什么？站一整夜吗？
夏利：除此之外没什么可做的！
史蒂夫（抬高嗓音）：你有事做的，夏利。你可以回家，闭上嘴。你可以像个自己做主判处绞刑的法官那样爬到床上，忘掉这件事。
夏利：看来你真的希望这样，史蒂夫。我想我们最好也盯住你！
顿：我希望最好现在就真相大白。（他转向史蒂夫。）你妻子总说你如何的古怪！
夏利（听到这里，他瞪大双眼）：快说，她怎么说的！
（史蒂夫从街对面走向人群。）
史蒂夫：说，我妻子怎么说的？一切都说清楚，让我们找出街上每个男人、女人、孩子的不寻常的习惯。我们还可以设立个私设法庭之类的。天亮时成立个行刑队怎么样，夏利？这样我们就可以免受怀疑?
顿：没必要这么紧张，史蒂夫。只是...麦拉很多个晚上你总在地下室摆弄些无线电什么的。
（这时史蒂夫走到人群跟前，挑战地站在他们面前。）
夏利：说吧，史蒂夫。你在摆弄哪种“无线电”呢？你在无线电里跟谁说话呢？谁在跟你说话呢？
史蒂夫：我对你感到吃惊，夏利。你怎么突然变得这么愚蠢呢？（顿了下）谁跟我说话？我在跟太空的怪物说话，我跟三个...飞来的绿色脑袋、流星一样的人说话。
（布兰德夫人从门廊上走下，咬了下嘴唇，叫道。）
布兰德夫人：史蒂夫，史蒂夫，请...（她害怕地看着四周，避开人群。）那只是个业务无线电，很多人都有的，我可以给你们看，就在地下室里。
史蒂夫（转向妻子）：什么都不要给他们看！如果他们想看我们的房间...让他们拿搜索证来。
夏利：看，家伙，你承担不起...
史蒂夫（打断他的话）：不要告诉我谁危险，谁不危险，谁是安全的，谁是威胁。（他转向人群，叫道。）你们跟他一样---所有的人都是！你们站在那里只是找一个替罪羊...拼命地在邻居间找一个人出来！现在，看吧，朋友们，唯一要发生的事就是，我们要相互咬死对方...
（夏利猛地抓住他的胳膊，史蒂夫突然停下来。）
夏利（低声地）：这不是唯一要发生的事。（黑暗中突然出现一个人影，人影慢慢走进时，寂静中人们听到水泥地上的缓慢、有规律的脚步声，一个妇女发出一声被抑制的叫声。）
汤米（害怕地叫）：是怪物，怪物！
（人群往后退，盯着黑暗中走来的人影。顿.马丁带上一支，加入人群，他举起枪。）
顿：我们可能需要这个。
史蒂夫：？（他把枪从顿手中夺过来。）你脑子昏了吗？枪怎么能用来打...
（夏利从史蒂夫手中夺过枪。）
夏利：别说话，史蒂夫。你会把我们弄死的！你会让任何不明的东西逼近我们吗？我们有的人不会的！
（他摆动枪，对准人行道。黑色人影继续走向人群。夏利慢慢举起枪，人影走近时，他开动扳机。枪声在寂静中响起。人影发出轻微的呼叫，膝盖首先着地，然后是脸。顿，夏利和史蒂夫跑上前。史蒂夫第一个把这个人翻过身，人群把他们围起。）
史蒂夫（慢慢地看了看）：是皮特.范.合恩。
顿（小声地说）：皮特.范.合恩！他只是去临近街区看有没有电。
妇女：你杀了他，夏利，你杀死了他！
夏利（看看四周的面孔，眼神中露出害怕的神情来）：但是...我不知道是谁。我当然不知道他是谁。他从黑暗中走来...我怎么能知道他是谁呢？（他抓住史蒂夫。）史蒂夫--你知道我为什么开枪的！为什么我会认为他不是怪兽什么的呢？
（他抓住顿。）我们都害怕同一样东西。我只是想试图...试图保护我的家，就是这样！（他疯狂地看着地下的尸体。）我不知道是我认识的人！我不知道...
（人群突然安静下来，街对面一家的每个灯都亮起来。）
妇女（低声说）：夏利...夏利...你家的灯亮了。为什么会亮呢？
顿：怎么回事，夏利？为什么只有你家的灯亮了？
古德曼：我也想知道这个。
（顿时人们盯着夏利。）
古德曼：你下手这么快，夏利，你这么快就告诉我们应该提防谁。或许你不得不杀人，或许皮特想告诉我们什么，告诉我们应该提防我们中的哪个人---
（夏利后退几步，眼睛睁大，满是恐惧。）
夏利：不...不...根本没这回事！我不知道灯为什么会亮？我发誓我不知道。有人在开玩笑什么的。
史蒂夫：玩笑？夏利，人行道上有人死人，使你杀的！你是在杀人灭口吗？
（夏利突然挣脱开，尖叫着冲回家去。）
（一个人从人群中跑开，追向夏利。他扭住夏利，把他推到在地。其他的人向他们跑过来，夏利从地上站起，挣脱另一个人，跳向他家前门廊。人群中扔出的石头打碎了他
旁边的窗子，碎裂的玻璃从他身旁飞过，几个碎片划伤了他。他站在那里，鲜血从脸上的伤口留下。他的妻子从人群中跑出来，扑向他的怀抱。人群向门廊走来。）
第一个声音：肯定是他！
第二个声音：就是他！
第三个声音：我们抓住夏利了。
（另一块石头扔到门廊上，夏利把妻子拉到身后，自己面对着人群。）
夏利：听着，听着，我对你们发誓...不是我...但是我确实知道是谁。我对你们发誓。我知道这里谁是怪物。
顿：好的，夏利，说来听听！
第二个男人（尖叫）：说吧，夏利，告诉我们。
夏利：是...是这个孩子。汤米！
萨莉：你疯了，他只是个孩子！
妇女：但是他知道！只有他知道！他告诉我们一切，他怎么知道的呢？
（人们听到这里，再一次大声反复地问。）
第一个声音：他怎么知道的？
第二个声音：谁告诉他的？
第三个声音：让这小孩说话！
（萨莉抓住汤米，开始跟他一起跑。人群开始追起来，起初跑得很快，后来就被甩在后面。突然夏利家的灯熄了，另一家的灯亮了。）
男人（大叫）：不是小孩家的...是鲍勃.韦弗家的。
妇女：不，是顿.马丁家的。
夏利：我告诉你是这小孩家的。
顿：是夏利，就是他。
（很多人大叫起来，互相指责着，尖叫着，房子里的灯亮了又熄了。）
场景二
附近黑暗中的田野里，是一艘宇宙飞船，一束光从一个打开的门中射出，两个身影出现了。
第一个身影：现在知道程序了吗？只要停掉他们的少数机器、收音机、电话和割草机...让他们在黑暗中呆上几个小时，然后坐在这里看结果吧。
第二个身影：结果总是一样的吗？
第一个身影：会有一点儿区别。他们找出能找到的最危险的敌人...就是他们自己。
第二个身影：那么我觉得这里...枫树街...并不是个例外。
第一个身影：根本不是。这个世界到处都是枫树街这样的地方。我们将去一个又一个地方，让他们自己毁掉自己。一个又一个...一个又一个...一个又一个...
1.frightened adj. 受惊的, 受恐吓的
例句：
Frightened children were calling for their mothers.
受惊的孩子们呼喊著找妈妈。
2.self-appointed adj.自己作主的; 自行推荐[任命]的; 自封的
例句：
A leader is not self-appointed. His leadership has to be accepted and approved by the masses.
领导不是自封的，要看群众承认不承认，批准不批准。
3.kangaroo court n.私设之法庭, 非法法庭
例句：
To the people who refused to go on strike, the most difficult part of their decision was the possibility that they would later be subject to the union's kangaroo court.
对于那些拒绝参加罢工的人来说，他们这一决定最麻烦的地方是，他们以后可能受到工会袋鼠法庭的审判。
4.firing squad n. 行刑队，执行死刑的射击队
例句：
The condemned man faced the firing squad with dignity;
那个被宣布有罪的人大义凛然的面对着行刑的队伍；
5.meteor n. 流星,大气现象,一夜成名的人
例句：
A meteor shot across the sky.
流星划过天空.
6.materialize v. 赋与实质,使体现,物质化; 成有形,体现,实现
例句：
A truck suddenly materialized out of the fog.
一辆卡车突然驶出烟雾。
7.measured adj. 量过的,慎重的,基于标准的
例句：
march in measured steps
用整齐的步伐行进
8.stifle v. 使不能呼吸,窒息,抑制
例句：
Our ideas were stifled.
我们的意见被压了下来。
9.tackle v. 处理,抓住
例句：
Some people tackle the difficult jobs first.
有的人爱先做难做的工作。
1.straighten out v.改正, 清理, 澄清
例句：
He got it all screwed up, it will take a week to straighten out the mess.
他把事情全搞坏了，要花一星期时间才能把这一团糟的局面整理出头绪来。
2.set foot on v.踏上
例句：
Nobody has ever set foot on that island.
没有人曾经登上过那个岛屿。
3.above suspicion adj. 无可怀疑(毫无可疑)
例句：
My conduct has always been above suspicion.
我的行为从来就是无可置疑的。
4.may as well 最好
例句：
Since it is raining hard, you may as well stay here as leave.
既然雨下得这么大，你与其离开倒不如待在这儿。
5.keep an eye on 留意,照看
例句：
Because we always keep an eye on the East European market.
因为我们总是注意着东欧的市场。
6.all of a sudden adv.突然
例句：
All of a sudden he stopped.
他突然停了下来。
7.can't afford to 负担不起
例句：
Most people can't afford to go to the expensive entertainment places.
多数人不敢问津高档娱乐场所。
8.wise up vt. 知道(意识到)
例句：
It's about time he wised up to the fact that people think his behaviour is ridiculous.
他早就该明白大家都认为他很荒唐.
9.how come...? 怎么会...的?
例句：
How come are you late?
你为什么来晚了？
10.throw out v.伸出, 扔掉, 说出, 派出, 放出, 使出局, 使突出, 显示
例句：
They were determined to throw out the reactionary government.
他们决心把反动政府赶下台。
[推荐写作] 大学英语文章之四
在平时学习中写英语作文是一件非常常见的事情，我们经常在各大信息渠道都能看好优秀的英语作文，坚持写作文可以培养我们的字和内心情感，好的作文能够体现作者的中心思想，你知道写好一篇英语作文需要注意些什么问题吗？懂您所需，小编帮大家整理的《[推荐写作] 大学英语文章之四》，希望您能阅读并分享。
a folk culture is a small isolated, cohesive, conservative, nearly self-sufficient group that is homogeneous in custom and race with a strong family or clan structure and highly developed rituals. order is maintained through sanctions based in the religion or family and interpersonal. relationships are strong. tradition is paramount, and change comes infrequently and slowly. there is relatively little division of labor into specialized duties. rather, each person is epected to perform a great variety of tasks, though duties may differ between the sees. most goods are handmade and subsistence economy prevails. individualism is weakly developed in folk cultures as are social classes. unaltered folk cultures no longer eist in industrialized countries such as the united states and canada. perhaps the nearest modern equivalent in anglo america is the amish, a german american farming sect that largely renounces the products and labor saving devices of the industrial age. in amish areas, horse drawn buggies still serve as a local transportation device and the faithful are not permitted to own automobiles. the amish＇s central religious concept of demut "humility", clearly reflects the weakness of individualism and social class so typical of folk cultures and there is a corresponding strength of amish group identity. rarely do the amish marry outside their sect. the religion, a variety of the mennonite faith, provides the principal mechanism for maintaining order.
by contrast a popular culture is a large heterogeneous group often highly individualistic and a pronounced many specialized professions. secular institutions of control such as the police and army take the place of religion and family in maintaining order, and a money-based economy prevails. because of these contrasts, "popular" may be viewed as clearly different from "folk". the popular is replacing the folk in industrialized countries and in many developing nations. folk-made objects give way to their popular equivalent, usually because the popular item is more quickly or cheaply produced, is easier or time saving to use or leads more prestige to the owner.